Here are some progress images from a new 3×4 foot painting where I’m layering abstractions based loosely on photos from my walks in nature.
I’ve been interested in how music influences the improvisational aspects of my mark making, and as such I am making this painting while listening to a single album on repeat – Makaya McCraven’s “In the Moment” (which is itself built from pure improvisation). So far so good.
I have just started exploring my way into a new painting concept I’m calling “Obverstractions.” In this series I am attempting to marry my bent toward abstraction with my passion for nature and observationally driven works, balancing these few facts about myself as an artist:
I feel most “at home” and connected to my work when it’s abstract. Painting with observation as a starting point works for me.. Observing the natural world closely is my biggest inspiration. I desire to connect with a “live,” improvisational energy while painting
My first couple of small attempts have proved to be instructive and validating. I’ll write more about my process as the series progresses.
Obverstraction #2. 11×14 inches, acrylic on wood.
I was encouraged by the results of the first study (below) and doubly encouraged by the second (above). To me, #2 is more successful as it arrives closer to the destination I envisioned while also departing furthest from the initial observation. I am using my mindfulness training as a compass for doing these works, and I felt that with #2 I was able to embrace uncertainty more and get into a more connected improvisational state while still channeling the subject (or at least my view of it).
Obverstraction #1. 10×10 inches, acrylic on wood.
Stay tuned for more of this work. I’d love to hear what you think of it.