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Tag: nature

Poem: The Celebration

The Celebration

Coyotes are celebrating
a fresh kill

on the hillside up from
my bedroom window.

The frenetic loops
snuck into my dream

a record skipping,
the volume too high

on a soundtrack
of horror-movie knives

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Creek sketch

Made this quick little drawing on the way back down from Wildcat Rock, near Fairview, NC. The midwestern winter had me yearning for a fresh walk through spring mountain air—i felt so fortunate to spend a week on the road with two of my older sons.

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A larger journey, process process process

Here are some progress images from a new 3×4 foot painting where I’m layering abstractions based loosely on photos from my walks in nature.

I’ve been interested in how music influences the improvisational aspects of my mark making, and as such I am making this painting while listening to a single album on repeat – Makaya McCraven’s “In the Moment” (which is itself built from pure improvisation). So far so good.

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Obverstractions

I have just started exploring my way into a new painting concept I’m calling “Obverstractions.” In this series I am attempting to marry my bent toward abstraction with my passion for nature and observationally driven works, balancing these few facts about myself as an artist:

I feel most “at home” and connected to my work when it’s abstract.
Painting with observation as a starting point works for me..
Observing the natural world closely is my biggest inspiration.
I desire to connect with a “live,” improvisational energy while painting

My first couple of small attempts have proved to be instructive and validating. I’ll write more about my process as the series progresses.

Obverstraction #2. 11×14 inches, acrylic on wood.

I was encouraged by the results of the first study (below) and doubly encouraged by the second (above). To me, #2 is more successful as it arrives closer to the destination I envisioned while also departing furthest from the initial observation. I am using my mindfulness training as a compass for doing these works, and I felt that with #2 I was able to embrace uncertainty more and get into a more connected improvisational state while still channeling the subject (or at least my view of it).

Obverstraction #1. 10×10 inches, acrylic on wood.

Stay tuned for more of this work. I’d love to hear what you think of it.

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Macro nature

I purchased a little clip-on macro lens for my phone and I’ve been having a lot of fun with it. It has caused me to look more closely at what’s around me. Here are some highlights.

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