Made this quick little drawing on the way back down from Wildcat Rock, near Fairview, NC. The midwestern winter had me yearning for a fresh walk through spring mountain air—i felt so fortunate to spend a week on the road with two of my older sons.
This small painting of the May River and marshes at high tide captured the scene and the moment pretty well without overdoing it. It was my first time using the great new Holbein gouache paints that I received got as a gift last Christmas (thanks, allison!) They are really wonderful to use compared to the cheap-o stuff i was working with earlier. There is enough pigment to do supple washes and also highly saturated or deep parts. The layering is divine..
I really enjoy the act of creating observation work in nature. It helps focus my attention on the beauty and complexity of the world around me. This Palmetto tree is one of the more complex things i’ve attempted to draw recently and I like it.
Has it really been nearly four months since I started this painting? In this period of quarantine stress, lockdowns, social upheaval, and massive shifts in my daily life, I have been without the motivation to paint. Like a fool who has learned nothing about self-motivation I have waited to feel it again. But for me, action precedes inspiration and motivation. Surprise, surprise… just getting started was all I needed to reconnect. Returning to painting has returned me to painting.
Took a little dip into painting again today. The quarantine energy has been the opposite of what motivates me to paint, but today as i was setting up a painting station for my daughter, i decided to flip open the big pad and do some quick, monochromatic paintings.
It was fun, and i felt things click for a bit, which was reassuring.
There is a mind state I find conducive to making landscape paintings. The best way i’ve found so far to induce this state is by working to certain kinds of jazz. I am going to explore this more in future writing, but for now I’ve got a handful of records that bring me right there.
I’ve had the Sayre Park painting hanging in the living room to observe for the past few weeks. It’s been a great reminder of the kind of work i don’t want to do. Through talking about this with Zion and Josiah last weekend, we decided it looked more interesting turned on its side. Once I did that, the painting was crying out to become an underpainting for something new.
A couple of days later, an artist named Katie Vernon posted a painting to her instagram that inspired me to start my new painting in a particular way. Here is her painting:
Last night I found just the right photo source for the new painting and got to work. I starting blocking white, then gray, then blue and brown and greenish grays. I made a few passes over it and really got into a flow and had a lot of fun. I’m absolutely loving the direction this took and I’m looking forward to digging back in to it.
Covered a lot of ground and had a really fun painting session last night. I blocked in more of the hills and mountains in the distance, and put in a couple of washes on the lake itself. I expect the final painting to not look much like this at all, but it’s heading in the right direction. Next passes will focus on sky and some elements in the foreground that haven’t been painted yet.
It feels inevitable that all this diving into observational painting is just taking me the long way back to complete abstraction. I’m not trying to go there, but as I continue to incorporate mindfulness into everything i’m doing, it’s hard to ignore the bursts of excitement and delight that I get when I’m making marks for marks-sake. Who knows!??!!!!
Put in time last night doing an underdrawing and putting some paint down on this 48×36″ panel. Lately i’ve been trying to just work on whatever i’m drawn to in the moment, and last night I was feeling this big one. I lost a little momentum looking for the right source photo. to work from. I landed on a view of The Loch, a lake I hiked past on the way up to Sky Pond in Estes Park.
One thing i realized right away was just how much this change in scale changes the game for the way I’m painting, and really the way i’ll *be able* to paint. This one is going to be a challenge but i’m determined to learn as much as possible.
The main drawback of jumping into this painting is that I won’t be able to iterate as fast, which is going to slow down the overall learning cycle. To this end, i’m going to get one or two smaller works going over the weekend so when i’m not ready to dive into the big one, i’ll still be able to make progress.
Working on freeing myself up a bit more, so I’m going to be making some low-risk, low-stakes landscapes on paper. I have some ideas about what i’ll do with these but I’ll discuss that when I actually do something. I’m thinking this needs one more pass before calling it “done.” This scene is inspired by a photograph I took on my hike to Chasm Lake, just after climbing above the treeline.
I am very pleased with how this painting turned out. There was a very real risk of overworking it and I managed to avoid that. I am still thinking about what i’ve learned with this painting, and I’ll probably have to consolidate those thoughts into another post.
This has been a great week of painting.
Painted over another old abstract print/painting from 2002. I am very happy with how this painting turned out. I’m just beginning to identify the conditions that are making for enjoyable painting experiences with quality outcomes.
The scene is somewhere along the trail to Ouzel Falls from the Wild Basin trailhead in Estes Park. If memory serves, this spot is not far above Copeland Falls.