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Tag: acrylic

Not so precious

In my second sitting with this painting I brought in the sky and sea, and I have to say that it was thoroughly enjoyable and I like the outcome. In particular, I love this section of the shoreline. I’m making a conscious effort to evoke the essence of the scene without getting too precious.

sea detail. this part is my favorite so far
2. sky and sea
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New Beginning

Started a new painting last night. I had intended to do the same scene again but after making that little waterfall painting the other night, I changed my mind. Gotta move on. I’ll be painting more loosely and following my intuition.

1. undersketch and some greens
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Wisconsin Waterfall

Wisconsin Waterfall. 5 x 6.25 inches. Acrylic, urethane, Ink, pencil, and paper on wood.

Last night I found a couple of old paintings from 2002, and I had the overwhelming urge to paint over one of them. I busted out some sandpaper and roughed up the surface, then looked for an inspirational subject to work from that would lend itself to this collaboration with my former self. I am very pleased with the result and really looking forward to doing another of these (with the other old painting) tonight.

In my hand, for scale reference.
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Flood Reflections at Rutherford-Sayre Park, Chicago

Flood Reflections at Rutherford-Sayre Park, Chicago. 24 x 24 inches, acrylic on wood. 2020

I finished this painting and I’m feeling pretty good about it. The goal was to paint 2 foot square acrylic version of the very small gouache painting I made last year (below), using only the painting as a reference rather than the original photo reference. I’ve hung it up in the house to spend some more time with it. It’s got a great presence.

Next up I’ll be trying this scene again, same size, but directly from the photo (with some new restraints). My thinking on that here.

Flood Reflections at Rutherford-Sayre Park, Chicago. 7 x 7 centimeters, gouache on paper. 2019
Studio mess.
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Tree woes

One of the challenges in making this painting based upon the 7x7cm landscape I painted is that there are times when I need to use my imagination to add detail in service of the painting, rather than solely base my painting from the small source. I went into this tree with some measure of caution, but quickly got wrapped up in the detail and went way overboard. In the second image below you can see that the bare tree in the foreground lost it’s definition, particularly where it overlapped with the green tree behind it. As much as i would like each painting session to perfectly portray my vision, this didn’t. So late last night I went back in and started blocking out limbs and putting definition back into the tree. The trickiest parts will be cleaning up limbs that intersect the sky—i’m going to do as little of that as possible. The next pass will be focused on the underpainting of the green tree, then repainting the black limbs where they need to be cleaned up.

7. improvements
6. tree limbs and general overworking
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Larger landscapes (process)

I’ve been planning to do larger, acrylic on wood versions of some of the smaller landscapes I did earlier last year. The idea is to use the small painting as the source rather than the original photograph. Below are the first three sittings. I like where it’s headed.

1: sky and reflection underpainting
2: tree and tree reflection
3: bringing more color into sky and reflection
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