I spent some time last night priming new surfaces to paint on. I’ve got two 8″ square and two 12″ square panels. More importantly, I’ve got a nice 24×36″ panel that I’m really excited to work with. I need to see what I can learn from making increasing the scale. Plus, i’ve got some other ideas bubbling that would require working at that scale or larger, so it’s time to test the waters.
I found another small old painting in my studio and couldn’t help but start going over it. I learned quite a bit while making this.
- If i’m going over old paintings, i need to leave more of the old in tact
- i need to stop using prussian blue hue. i will probably repaint this sky because i find the blue unsettling.
- I have a lot more to learn
In my second sitting with this painting I brought in the sky and sea, and I have to say that it was thoroughly enjoyable and I like the outcome. In particular, I love this section of the shoreline. I’m making a conscious effort to evoke the essence of the scene without getting too precious.
Started a new painting last night. I had intended to do the same scene again but after making that little waterfall painting the other night, I changed my mind. Gotta move on. I’ll be painting more loosely and following my intuition.
Last night I found a couple of old paintings from 2002, and I had the overwhelming urge to paint over one of them. I busted out some sandpaper and roughed up the surface, then looked for an inspirational subject to work from that would lend itself to this collaboration with my former self. I am very pleased with the result and really looking forward to doing another of these (with the other old painting) tonight.
I finished this painting and I’m feeling pretty good about it. The goal was to paint 2 foot square acrylic version of the very small gouache painting I made last year (below), using only the painting as a reference rather than the original photo reference. I’ve hung it up in the house to spend some more time with it. It’s got a great presence.
Next up I’ll be trying this scene again, same size, but directly from the photo (with some new restraints). My thinking on that here.
As I was reflecting on the work I’m doing right now and my painting plans for this year, I became very certain that my primary goal is this: I want to learn to make mid-scale acrylic landscape paintings with a process and outcome that represent my sensibility.
The most important thing about framing the goal this way is that it prioritizes exploration, experimentation, and learning over outcomes. In other words, this is not strictly about making landscape paintings that Ben likes, or somebody else likes or wants in their home or whatever—this is about making paintings in service of discovering how Ben makes landscape paintings.
In light of this realization, I’ve decided to spend one or two more sittings with the current painting and call it “done” because i’ve learned about everything I am going to learn from that painting. My next plan was to do a different scene with the same process, but I’ve changed my mind. My next painting will be the same scene, but with different constraints:
- shorter painting sessions
- limited overall time
- limited brush sizes (not too small)
- paint direct from photo source (as opposed to painting source)
Know what? I’m excited.
One product of a fun drawing game we did over the weekend.