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Tag: painting

Another experiment

I found another small old painting in my studio and couldn’t help but start going over it. I learned quite a bit while making this.

  1. If i’m going over old paintings, i need to leave more of the old in tact
  2. i need to stop using prussian blue hue. i will probably repaint this sky because i find the blue unsettling.
  3. I have a lot more to learn
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Not so precious

In my second sitting with this painting I brought in the sky and sea, and I have to say that it was thoroughly enjoyable and I like the outcome. In particular, I love this section of the shoreline. I’m making a conscious effort to evoke the essence of the scene without getting too precious.

sea detail. this part is my favorite so far
2. sky and sea
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New Beginning

Started a new painting last night. I had intended to do the same scene again but after making that little waterfall painting the other night, I changed my mind. Gotta move on. I’ll be painting more loosely and following my intuition.

1. undersketch and some greens
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Flood Reflections at Rutherford-Sayre Park, Chicago

Flood Reflections at Rutherford-Sayre Park, Chicago. 24 x 24 inches, acrylic on wood. 2020

I finished this painting and I’m feeling pretty good about it. The goal was to paint 2 foot square acrylic version of the very small gouache painting I made last year (below), using only the painting as a reference rather than the original photo reference. I’ve hung it up in the house to spend some more time with it. It’s got a great presence.

Next up I’ll be trying this scene again, same size, but directly from the photo (with some new restraints). My thinking on that here.

Flood Reflections at Rutherford-Sayre Park, Chicago. 7 x 7 centimeters, gouache on paper. 2019
Studio mess.
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What am I trying to achieve?

As I was reflecting on the work I’m doing right now and my painting plans for this year, I became very certain that my primary goal is this: I want to learn to make mid-scale acrylic landscape paintings with a process and outcome that represent my sensibility.

The most important thing about framing the goal this way is that it prioritizes exploration, experimentation, and learning over outcomes. In other words, this is not strictly about making landscape paintings that Ben likes, or somebody else likes or wants in their home or whatever—this is about making paintings in service of discovering how Ben makes landscape paintings.

I want to learn to make mid-scale acrylic landscape paintings with a process and outcome that represent my sensibility.

In light of this realization, I’ve decided to spend one or two more sittings with the current painting and call it “done” because i’ve learned about everything I am going to learn from that painting. My next plan was to do a different scene with the same process, but I’ve changed my mind. My next painting will be the same scene, but with different constraints:

  • shorter painting sessions
  • limited overall time
  • limited brush sizes (not too small)
  • paint direct from photo source (as opposed to painting source)

Know what? I’m excited.

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Tree woes

One of the challenges in making this painting based upon the 7x7cm landscape I painted is that there are times when I need to use my imagination to add detail in service of the painting, rather than solely base my painting from the small source. I went into this tree with some measure of caution, but quickly got wrapped up in the detail and went way overboard. In the second image below you can see that the bare tree in the foreground lost it’s definition, particularly where it overlapped with the green tree behind it. As much as i would like each painting session to perfectly portray my vision, this didn’t. So late last night I went back in and started blocking out limbs and putting definition back into the tree. The trickiest parts will be cleaning up limbs that intersect the sky—i’m going to do as little of that as possible. The next pass will be focused on the underpainting of the green tree, then repainting the black limbs where they need to be cleaned up.

7. improvements
6. tree limbs and general overworking
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